A bird photography course by Tim Laman · Beginner to intermediate
Trusted by 1,800+ bird photographers
Finally come home with keepers, not soft shots.
Right now the camera sits on Auto and half the morning comes home soft, blurred or one second too late. Eight short lessons to know exactly what to do when a bird appears. Tim's exact settings, on the camera you already own.
8 lessons, about 2 hoursLess than 1% refund rate14-day money-back guaranteeLifetime accessRated 5/5 by our students
Featured in
"I especially enjoyed Tim explaining his camera settings for many of his iconic shots."
SScott Rauland · verified student
Dear Friends,
You get home from a morning out, put the card in the computer, and start clicking through.
Soft. Soft again. An empty branch where the bird had been a second earlier. The one frame where something actually happened is blurred.
I know that feeling. It's not talent. It's a camera that was never set up for birds.
My name is Tim Laman. I photograph birds for National Geographic, where I've shot 25 feature stories, and in 2016 I was named Wildlife Photographer of the Year.
None of that started at a photography school. I was a biology student. I first went to Borneo in 1987 as a field assistant. Later, doing my PhD fieldwork there, I learned to climb rainforest trees on ropes, and I came back down with pictures from the canopy that almost nobody else had.
On a platform in the canopy, waiting for a King Bird-of-Paradise.
What I worked out along the way is that most people who struggle with bird photos are stuck on the wrong problem.
They think it's the gear.
Or they decide it's themselves, that they're just not any good at this.
But neither of those things is true. It's nearly always the settings, and nobody has ever handed them a set that works.
Years ago I tested that idea on the least experienced photographer I could find. My son Russell was about seven. I took him to the Everglades in Florida for a few days and handed him my old Canon 20D with a 100 to 300mm kit lens.
Then I set the camera up for him: five settings, the same five I still put on my own camera before I walk out the door. They're the first thing I show you in lesson one.
After that I gave him three instructions. Get the bird in the frame. Push this button on the back with your thumb to focus. When it looks sharp, push this other one on the front.
He had no idea what a shutter speed was, or an aperture, or an ISO. He didn't need to know.
He went out and took thousands of pictures over those days and had a blast. He got close enough to the black vultures that one of his frames needed no cropping at all. He even came back with a few flight shots of white pelicans.
Russell's white pelicans, taken on those days in the Everglades. He was seven, and he had no idea what a shutter speed was.
A seven-year-old. A camera I had stopped using. A kit lens.
That's the experiment the course grew out of. Not a lecture about exposure. The actual settings I put on my own camera in the field, in the order you need them.
So I put the whole system into eight lessons and called it
Birds, Camera,Action
You start with the same ready-for-action settings I gave Russell, so you can go out this weekend and come home with keepers before you fully understand why they work. Then we build from there, one lesson at a time, until you can walk up to almost any bird situation and know what to do.
A pileated woodpecker coming in to the nest hole. The whole thing comes down to one split second, and the settings decide whether you get it.
It runs about two hours in total. Watch one lesson, take it straight outside, and see the difference for yourself.
See you in lesson one,
Tim LamanPhD, Harvard University National Geographic photographer
"I was able to watch a video then take your lessons straight out into the field and notice a big difference to the quality of photos I was getting."
MMatt Nicklin · verified student
"I had been looking for a course to help me graduate from Auto to Manual and this was it."
KKathy West · verified student
The eight lessons
So here's what you'll learn:
The settings I put on my camera before I walk out the door. Just copy them. You can go out this weekend and start getting keepers before you understand the theory.
How to get a flying bird in the viewfinder and keep it there. The grip and the one lens setting that stop you losing it, so you come home with the bird instead of an empty branch.
Back button focus, explained properly. Most photographers have heard of it and never understood what it is for. Set it up once and far more of your shots come back sharp on the eye.
Which focus area to use in which situation. A bird behind leaves, a bird in the open, a chickadee that will not sit still, and the cases where manual focus still saves the picture.
When to use shutter priority and when to switch to aperture priority, why I shoot RAW, and why auto white balance quietly throws away the warm light you got up early for.
Exposure compensation and the histogram. You are smarter than your light meter, so a bird lifting off against a bright sky does not have to come out as a silhouette.
My field playbook for birds in flight. Takeoffs, landings and birds on the wing, plus the bird behavior that tells you a second before it happens.
A bonus lesson on using blur on purpose. Slow the shutter, keep the eye sharp, let the wingtips smear, and the picture starts reading as art rather than as a record.
Nothing exotic about the technique. The same eight lessons work on a toucan and on the chickadee at your feeder.
$64.35 instead of $99. The discount is already applied at checkout.
What students say
Does it actually work?
Here are reviews written by people who took the course. Every one is on the course platform under their own name.
Course helped immensely
I had been looking for a course to help me graduate from Auto to Manual and this was it. Tim did a great job explaining why he chose the settings he did for the photos he showed in the video and also talked about other settings, like Back Button Focus, which I now use and love it! Thanks Tim!
Kathy West · October 1, 2025
An amazing introduction to bird photography from a great expert
I am a beginning photographer who has worked hard to get familiar with a new mirror less camera. I had made a few attempts at bird photography with a newly purchased telephoto lens but been a bit disappointed with the results. This course has taught me numerous tricks to take to the field. It is magnificently presented by Tim who speaks directly to you sharing his vast experience with great examples. Thanks so much!
Peter Colman · May 7, 2026
Outstanding!
Tim does a great job explaining concepts and techniques, and I especially appreciate how he uses examples to really make the material come alive in a tangible way. I'd heard of back-button focusing, but never really understood it or what it could do for me, and now I'm excited to try it! There were a number of "big revelation" moments for me, and I'm anxious to put these things into my bird photography practice and get to that "next level."
Lisa von Biela · October 6, 2025
I learnt so much!!
Thanks Tim, you have helped me get better at bird photography and photography in general. I was able to watch a video then take your lessons straight out into the field and notice a big difference to the quality of photos I was getting. Keep up the good work!! Matt
Matt Nicklin · July 29, 2024
Excellent overview of the basics
What a wonderful experience to learn and/or review the fundamentals of wildlife photography with one of the masters of the craft! I especially enjoyed Tim explaining his camera settings for many of his iconic shots.
Scott Rauland · November 24, 2024
Truly enjoyable class for all levels of photography
Tim Laman does a great job in simplifying the leaning experience of bird photography (a touch subject even for pros!) giving you tips so you can start shooting and learning from lesson 1. I already started seeing improvements in my photography by adjusting to the lessons and I'm very excited to keep learning and enjoying the process with the current gear I have.
Luis Carrasco · December 14, 2025
Best course ever on bird photography
By far it is the best bird photography course I have ever seen with a lot of tips on different types of situations with different birds. Also, thanks Tim for the great work you have done in this course explaining in a very simple way some concepts that are not easy to explain in photography. I would definitely recomment this course to anyone interested in wildlife and in particular in bird photography.
Raffaella Chersoni · April 30, 2024
Clear, concise, and inspirational
This course exceeded expectations. There is an abundance of practical information presented in a very clear, concise manner with ample examples. At this point I am not sure if I am more enamored with Tim the photographer or Tim the presenter. It takes real talent to be able to distill this much information into such an exceptional presentation.
Mark Heilman · May 7, 2024
Fantastic!
This is definitely the best "crash course" I've taken on the topic, and really helped me figure out how to get my camera set up properly for bird photography.
Daniel Hamel · March 19, 2026
A great update!
Although I have been shooting for the last 5 years, this course both solidified my foundation and advanced my understanding of bird photography in a meaningful, efficient manner. It also inspired me to push beyond my current internal limitations of what makes a "great" image.
William Southgate · April 23, 2026
The offer
Birds, Camera,Action
Eight lessons, about two hours, with National Geographic photographer Tim Laman. Here's what you get when you enroll today.
Eight video lessons, about two hours
The ready-for-action settings, so you can shoot birds properly the same day you start
Two full lessons on focus, including back button focus and which focus area to use when
Two full lessons on exposure, including what to do when the light fools your camera
A flight lesson and a bonus lesson on deliberate motion blur
My own settings, behind my own pictures
I walk you through my own photographs and the exact settings behind each one
Everyday birds as well as famous ones, so the lessons work at your own feeder
Key takeaways at the end of each lesson, so you can find a setting again later
Watch it anywhere, and keep it
Instant access on your computer, tablet or phone, wherever you are
Yours to keep for good, so you can come back to a lesson before a trip
Start tonight and go at your own pace, nothing expires
You don't have to say yes today. You only have to say maybe.
Go through the whole course first. If it's not for you, email us and get your money back
Everything in this course comes from work I'm still doing. Here's some of it.
25 feature stories for National Geographic, with a strong emphasis on birds.
Wildlife Photographer of the Year 2016, the overall title, for a picture of an orangutan climbing a fig tree in Borneo. The idea for that photograph took me more than twenty years to get right.
All 39 species of birds-of-paradise, photographed in the wild. Eight years, 18 expeditions and 2,006 hours sitting in blinds. I'm the first person to do it.
Camera work for Planet Earth II and Our Planet, plus other films for the BBC, Netflix and National Geographic.
And when I'm home in Massachusetts I photograph chickadees, blue jays and woodpeckers in my own backyard. Those pictures sit in my book Bird Planet next to the birds-of-paradise.
A bird-of-paradise at dawn in the Aru Islands. Getting this one meant rigging ropes, climbing the tree in the dark every morning for a week, and waiting in a blind built out of poles and palm leaves.
$64.35 instead of $99 · 14-day money-back guarantee
Questions
What people ask before they enroll
No. Russell shot those pelicans on a camera I had already retired, with a kit lens. Cameras that are 10 or 15 years old still take excellent bird photos, and you really don't need a huge expensive lens to start. The course is about getting more out of the camera you already have, and one student put it better than I can: "no need to go and purchase additional items like in other courses."
Birds, Camera, Action is a beginner to intermediate course, and it starts from the settings up. If you've been shooting for years, most of the value is in seeing how I actually work in the field and which settings sit behind specific photographs. William Southgate had been shooting for five years when he took it and wrote that it "solidified my foundation and advanced my understanding."
Neither do I, most of the year. I live in Massachusetts and photograph chickadees, blue jays and woodpeckers in my own backyard, and some of those pictures ended up in my book. If you can't find uncommon birds, take uncommon photos of common birds. A chickadee at your feeder is enough to practice everything in this course.
Some of it, yes, and there's good material out there. The trouble is that most of it explains what a setting is rather than when to use it, and the videos come in a random order, so nothing sticks. This is one photographer's whole method in one place, in the order you need it, from the first setting to birds in flight. Lisa von Biela had heard of back button focus before this course, but had never understood what it could do for her.
About two hours in total, in eight separate lessons, so you can watch one in an evening. You can also do what Matt Nicklin did and watch one lesson, go straight out with the camera, and come back for the next one. The course is yours to keep, so there's no rush and nothing expires.
No. Birds, Camera, Action is about getting the shot right in the camera, out in the field. What you do with the file afterwards in Lightroom is a separate skill, and these eight lessons don't cover it.
Email us within 14 days of buying and we refund you in full. It happens rarely. Of the first 2,237 orders, 18 asked for their money back, which is under 1 percent, but the guarantee is there so the decision is easy either way.
Ready when you are
Your next morning out could go rather differently.
Start with lesson one tonight. It's about fifteen minutes, and it ends with a set of settings you can use at the feeder tomorrow.